Ned Hardy

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Nick Lee

15 Photos That Show You The Way Things Used To Be

Coal miner’s wife and three of their children. Company house in Pursglove, Scotts Run, West Virginia, September 1938

The company house squatted there in Pursglove, a gray testament to the miner’s borrowed existence. Four souls dwelled within its weathered walls – a miner’s wife and three young’uns, their faces etched with the coal dust that seeped into every crease of Scotts Run. September’s wan light did little to soften the hard edges of their lives.

The woman’s eyes, deep-set and weary, held the weight of a thousand descents into darkness, though she herself had never set foot in the mines. Her children played in the shadow of the tipple, their laughter a defiant song against the constant rumble of coal cars and the distant cough of men coming up from the earth.

They were of the land, yet the land was not theirs – their lives mortgaged to the company store, their futures stamped with the indelible mark of coal. In Pursglove, in all of West Virginia, the seams of coal ran deeper than blood, binding families to the earth with chains of debt and duty.

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Reading Between the Lines – ‘Life of Pi’

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“I must say a word about fear. It is life’s only true opponent. Only fear can defeat life. It is a clever, treacherous adversary, how well I know. It has no decency, respects no law or convention, shows no mercy. It goes for your weakest spot, which it finds with unnerving ease. It begins in your mind, always … so you must fight hard to express it. You must fight hard to shine the light of words upon it. Because if you don’t, if your fear becomes a wordless darkness that you avoid, perhaps even manage to forget, you open yourself to further attacks of fear because you never truly fought the opponent who defeated you.”

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The Early Photography of Stanley Kubrick

Stanley Kubrick. Genius. Auteur. Craftsman. Monster. Enigma. He stands tall among the pantheon of American filmmakers, often hailed as the greatest. With a filmography that includes Spartacus, Dr. Strangelove, 2001: A Space Odyssey, and The Shining, it’s no wonder his work continues to captivate audiences. But what sets his films apart is his extraordinary eye—his unparalleled command of camera angles, lenses, and lighting. Kubrick didn’t just compose shots; he orchestrated visual experiences.

What many might not know is that before he became a legendary filmmaker, Kubrick was a photographer. At just sixteen, while hustling chess in New York’s Washington Square Park—a feat that demands a sharp intellect—he landed a job with Look magazine. It was here that he discovered his passion for visual storytelling, honing his craft and developing an instinct for capturing moments with profound clarity. This early foray into photography laid the foundation for the cinematic masterpieces that would follow, each frame a testament to his relentless pursuit of perfection. In delving into Kubrick’s photographic journey, we uncover the roots of his artistry and the vision that transformed cinema.

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