"So Today My Nana Showed Me Some Of Her Favorite Websites"
Reading Between The Lines – ‘Pink Floyd’
And you run, and you run to catch up with the sun but it’s sinking
Racing around to come up behind you again
The sun is the same in a relative way but you’re older
Shorter of breath and one day closer to deathEvery year is getting shorter, never seem to find the time
Plans that either come to naught or half a page of scribbled lines
Hanging on in quiet desperation is the English way
The time is gone, the song is over, thought I’d something more to say
This Is What It Would Look like If Historical Figures Took Selfies
20 Spine-Chilling Stories in Just Two Sentences
1. As I’m getting him ready for night, he says, “Daddy, look beneath my bed for monsters.” For his pleasure, I peek below the bed and see him, another him, tremblingly peering out at me while muttering, “Daddy, there’s somebody on my bed.”
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Reading Between The Lines: ‘Andor’
Lonni Jung: And what do you sacrifice?
Luthen Rael: Calm. Kindness, kinship. Love. I’ve given up all chance at inner peace, I’ve made my mind a sunless space. I share my dreams with ghosts. I wake up every day to an equation I wrote 15 years ago from which there’s only one conclusion: I’m damned for what I do. My anger, my ego, my unwillingness to yield, my eagerness to fight, they’ve set me on a path from which there is no escape. I yearned to be a savior against injustice without contemplating the cost, and by the time I looked down, there was no longer any ground beneath my feet.
What is… what is my sacrifice? I’m condemned to use the tools of my enemy to defeat them. I burn my decency for someone else’s future. I burn my life, to make a sunrise that I know I’ll never see. No, the ego that started this fight will never have a mirror, or an audience, or the light of gratitude. So what do I sacrifice?
Everything.
24 Childhood Memories We Can All Relate To
The Backstories And History Of 10 Famous Paintings
Gustav Klimt (1862-1918): Death and Life, 1910, reworked in 1915, oil on canvas, Leopold Museum, Vienna
Gustav Klimt’s large painting ‘Death and Life’, created in 1910, features not a personal death but rather merely an allegorical Grim Reaper who gazes at “life” with a malicious grin.
This “life” is comprised of all generations: every age group is represented, from the baby to the grandmother, in this depiction of the never-ending circle of life.
Death may be able to swipe individuals from life, but life itself, humanity as a whole, will always elude his grasp. The circle of life likewise repeats itself in the diverse, wonderful, pastel-coloured circular ornaments which adorn life like a garland.
Gustav Klimt described this painting, which was honoured with a first prize at the 1911 International Art Exhibition in Rome, as his most important figurative work. Even so, he seems to suddenly no longer have been satisfied with this version in 1915, for he then began making changes to the painting—which had been framed for long by that time.
The background, reportedly once gold-coloured, was made grey, and both death and life were given further ornaments. Standing before the original and examining the left interior edge of Josef Hoffmann’s frame for the painting, one can still discern traces of the subsequent over-painting, which was done by Klimt himself.
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Reading Between The Lines – ‘The Bell Jar’
“I took a deep breath and listened to the old brag of my heart: I am, I am, I am.”
— Sylvia Plath, The Bell Jar
This quote is from Sylvia Plath’s novel “The Bell Jar,” which was published in 1963 under the pseudonym Victoria Lucas. The novel is semi-autobiographical, blending elements of Plath’s own life and experiences with the fictional journey of the protagonist, Esther Greenwood. “The Bell Jar” is often hailed for its candid exploration of mental illness, identity, and the societal pressures on women in the 1950s.
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33 Design Fails That Destroy Common Sense
A Collection Of Useful Advice To Help You On Your Travels Through Life
Asking “How are you feeling?” is a much more open-ended question that’s not as accusatory or intimidating as “What’s wrong?”
When you ask someone “what’s wrong?” it puts them in a position that doesn’t encourage conversation or doesn’t encourage honesty. It gives them an easy way to say “Nothing” or to shrug you off.
Meanwhile, asking someone “how are you feeling?” will be much more open-ended, is more welcoming, caring and much more likely to lead to an honest answer.
This is especially true in relationships when your S/O is withholding why they’re upset or the fact of whether or not they’re actually upset.
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Reading Between The Lines – ‘The Road’
“You have to carry the fire.”
I don’t know how to.”
Yes, you do.”
Is the fire real? The fire?”
Yes it is.”
Where is it? I don’t know where it is.”
Yes you do. It’s inside you. It always was there. I can see it.”
― Cormac McCarthy, The Road
