Movies

What a Real Live-Action Dragon Ball Z Movie Should Look Like

April 22, 2025

There are bad movies, and then there’s Dragonball Evolution—a film so cosmically misguided it felt less like an adaptation and more like performance art about what happens when nobody in the room has seen the source material. It didn’t just miss the point—it built an entire alternate universe where the point never existed. Watching it was like ordering a pizza and getting a frisbee with ketchup on it. Technically round, technically red—but spiritually insulting.

And yet, that failure wasn’t inevitable. Because Dragon Ball Z, in all its unhinged glory, can work as live action. But only if it stops trying to apologize for being anime. You can’t sand down the weirdness. You can’t make Goku a moody teen who looks like he listens to The Fray. You have to lean into the chaos—embrace the screaming, the hair that defies physics, and the idea that power levels aren’t just numbers, they’re emotional thermometers.

This is what a Dragon Ball Z live action movie should actually look like. And no, it’s not subtle. That’s the whole point.

19 Fascinating Movie Details You Probably Didn’t Notice Before

April 17, 2025

In Titanic, there is a scene showing a boy playing with a spinning top on deck. This is actually a recreation of a real photo taken onboard the ship on April 11th, 1912 by Francis Browne. It shows 1st Class passenger Frederic Spedden and his 6 year old son Douglas. Both survived the sinking.

How did the camera survive?

Titanic had two stops on her voyage, one in Cherbourg, France and the other in Queenstown (now called Cobh), Ireland. Francis Browne, the photographer, left the ship in Queenstown and didn’t continue the voyage to New York.

20 Incredible Behind-the-Scenes Photos from Film History

March 6, 2025

Robert De Niro and Martin Scorsese on the set of Cape Fear (1991)

Troma Movies: Cinema’s Most Glorious Trash Fire

February 21, 2025

Troma Movies

There’s a particular kind of chaos that only a Troma movie can unleash—a fever dream soaked in radioactive sludge, cheap practical effects, and a healthy dollop of the lowest-brow humor imaginable. Watching one feels like wandering into the world’s most disturbing punk rock basement show: sticky floors, a wall of noise, and the creeping suspicion that someone’s about to set something on fire for no reason at all. And yet, somehow, it’s also fun—if you’re brave (or deranged) enough to stick around.

RoboCop Is the Best Example of Late-Stage Capitalism

February 7, 2025

robocop

Of all the workplace horror stories out there—getting fired via email, your boss taking credit for your ideas, Karen in accounting microwaving fish—it’s hard to top what happened to Alex Murphy in RoboCop. This guy DIED on the job. And not in some peaceful, heart-wrenching, “tell my wife I love her” kind of way. No, Murphy got straight-up obliterated by a gang of coked-out psychopaths who, in a just world, should have spent the rest of their lives in a high-security prison or, at the very least, working for Ticketmaster.

The Insane Backstory of Dr. Cornelius Evazan

January 31, 2025

If you’re the kind of person who spends an inordinate amount of time contemplating the backstories of minor movie characters—if you are, in essence, the sort of person who reads unauthorized biographies of fictional men—then you already know who Dr. Cornelius Evazan is. Or at least you think you do.

The French Plantation Sequence: Apocalypse Now’s Beautifully Strange Detour

January 30, 2025

There’s a moment in Apocalypse Now that feels like it exists outside the film, as if Francis Ford Coppola spliced in a scene from some lost European art-house movie just to see if anyone would notice. It’s the French plantation sequence, an atmospheric, elliptical detour that was originally cut from the theatrical release and only restored decades later. And the reason it was cut is fairly obvious—it slows everything down. But that’s also exactly why it’s fascinating.

Why Watching Blade Runner at 25 vs. 45 Is a Different Experience

December 12, 2024

Let’s start with the obvious: Blade Runner isn’t just a movie—it’s a vibe. It’s not the kind of film you casually toss on while folding laundry. It demands attention, patience, and a willingness to accept that some things might never make total sense. At 25, you’re probably mesmerized by the neon-drenched dystopia and existential monologues. At 45, you might find yourself preoccupied with entirely different questions, like why Deckard’s apartment doesn’t have better lighting or why replicants seem more human than the actual humans. This is a movie that shifts as you shift.

Why The Shawshank Redemption Is Almost, but Not Quite, Perfect

December 12, 2024

When you think about The Shawshank Redemption, the word “perfect” probably comes to mind. It’s the kind of movie that feels like it was designed in a lab to be universally loved. Prison as a metaphor for life? Check. Tim Robbins and Morgan Freeman delivering performances so good they’ve become untouchable in the pop-culture canon? Double check. And Frank Darabont’s direction? It’s like watching someone defuse a bomb with absolute confidence: every move deliberate, every choice necessary.

‘This Movie Gets Worse Every Screening’: The Brutal Studio Notes That Almost Killed Blade Runner

November 25, 2024

There’s something inherently hilarious—and borderline tragic—about reading early studio notes for Blade Runner. You can feel the tension dripping off the page, a cocktail of confusion, frustration, and outright disdain for a movie they couldn’t wrap their heads around.

“This movie gets worse every screening,” one executive lamented, as though Blade Runner was some sort of recurring fever dream that kept getting more incomprehensible every time they revisited it. If it weren’t so funny, it’d be heartbreaking.

Why 2001: A Space Odyssey Is Both the Most Boring and Brilliant Sci-Fi Film Ever Made

November 19, 2024

There are two kinds of people in the world: those who consider Stanley Kubrick’s 2001: A Space Odyssey the apex of cinematic genius, and those who think it’s an unbearably slow collection of random images that could’ve been wrapped up in about 35 minutes. And the weird part? Both groups are right.

“Citizen Kane” Is the Greatest Movie Ever Made—So Why Did I Fall Asleep?

November 18, 2024

First of all, you’re not alone. Falling asleep during Citizen Kane is practically a rite of passage for people who claim to “love film” but only got into it after Tarantino started name-dropping obscure spaghetti westerns. It’s the movie you’re supposed to appreciate, not necessarily enjoy. Which raises the obvious question: if it’s so great, why does it feel like homework?